Paris.

Paris is the capital city of France. It is situated on the Seine river, in northern France, at the heart of the Île-de-France region (also known as the "Paris Region"; French: Région parisienne). The city of Paris within its administrative limits (largely unchanged since 1860) has an estimated population of 2,167,994 (January 2006). The Paris unité urbaine (or urban area) extends well beyond the administrative city limits and has an estimated population of 9.93 million (in 2005). The Paris aire urbaine (or metropolitan area) has a population of nearly 12 million, and is one of the most populated metropolitan areas in Europe.

An important settlement for more than two millennia, Paris is today one of the world's leading business and cultural centres, and its influence in politics, education, entertainment, media, fashion, science and the arts all contribute to its status as one of the world's major global cities. The Paris Region (Île-de-France) is Europe's biggest city economy, and is fifth in the World's list of cities by GDP. With €500.8 billion (US$628.9 billion), it produced more than a quarter of the gross domestic product (GDP) of France in 2006. The Paris Region hosts 36 of the Fortune Global 500 companies in several business districts, notably La Défense, the largest purpose-built business district in Europe. Paris also hosts many international organizations such as UNESCO, the OECD, the ICC and the informal Paris Club.

Paris is the most popular tourist destination in the world, with over 30 million foreign visitors per year. There are numerous iconic landmarks among its many attractions, along with world famous institutions and popular parks.

Paris's largest opera houses are the 19th century Opéra Garnier and modern Opéra Bastille; the former tends towards the more classic ballets and operas, and the latter provides a mixed repertoire of classic and modern.

Theatre traditionally has occupied a large place in Parisian culture. This still holds true today, although, perhaps strangely, many of its most popular actors today are also stars of French television. Some of Paris's major theatres include Bobino, Théâtre Mogador and the Théâtre de la Gaîté-Montparnasse. Some Parisian theatres have also doubled as concert halls.

Many of France's greatest musical legends, such as Édith Piaf, Maurice Chevalier, Georges Brassens and Charles Aznavour, found their fame in Parisian concert halls: legendary yet still-showing examples of these are Le Lido, Bobino, l'Olympia, la Cigale and le Splendid.

The Élysées-Montmartre, much reduced from its original size, is a concert hall today. The New Morning is one of few Parisian clubs still holding jazz concerts, but the same also specialises in 'indie' music. More recently, the Le Zénith hall in Paris's La Villette quarter and a "parc-omnisports" stadium in Bercy serve as large-scale rock concert halls.

Guinguettes and Bals-concerts were the backbone of Parisian entertainment before the mid-20th century. Early to mid-19th century examples were the Moulin de la Galette guinguette and the Élysées-Montmartre and Chateau-Rouge dancehalls-gardens. Popular orchestral fare gave way to the Parisian accordionists of lore whose music moved the Apollo and le Java faubourg du Temple and Belleville dance-hall crowds. Out of the clubs remaining from this era grew the modern discothèque: Le Palace, although closed today, is Paris's most legendary example. Today, much of the clubbing in Paris happens in clubs like Le Queen, L'Etoile, Le Cab which are highly selective. Electronic music oriented clubs such as Le Rex, Le Batofar (a boat converted into a club) or The Pulp are quite popular and some of the world's best DJs play there. Also, most of those DJs are from Paris, like Daft Punk, Justice, Uffie,...

Cafés quickly became an integral part of French culture from their appearance, namely from the opening of the left bank Café Procope in 1689 and the café Régence at the Palais Royal one year earlier. The cafés in the gardens of the latter locale became quite popular through the 18th century, and can be considered Paris' first "terrace cafés"; these would not become widespread until sidewalks and boulevards began to appear from the mid-19th century. Cafés are an almost obligatory stop on the way to or from work for many Parisians, and especially during lunchtime.

Paris's culinary reputation has its base in the many origins of its inhabitants. With the early-19th century railways and ensuing industrial revolution came a flood of migration that brought with it all the gastronomical diversity of France's many different regions, and maintained through 'local speciality' restaurants catering to the tastes of people from all. "Chez Jenny" is a typical example of a restaurant specialising in the cuisine of the Alsace region, and "Aux Lyonnais" is another with traditional fare originating from its city name's region. Of course migration from even more distant climes meant an even greater culinary diversity, and today, in addition to a great number of North African and Asian establishments, in Paris one can find top-quality cuisine from virtually the world over.

Hotels were another result of widespread travel and tourism, especially Paris's late-19th century Expositions Universelles (World's Fairs). Of the most luxurious of these, the Hôtel Ritz appeared in the Place Vendôme from 1898, and the Hôtel de Crillon opened its doors on the north side of the place de la Concorde from 1909.

Parisians tend to share the same movie-going trends as many of the world's global cities, that is to say with a dominance of Hollywood-generated film entertainment. French cinema comes a close second, with major directors (réalisateurs) such as Claude Lelouch, Jean-Luc Godard, Claude Chabrol and Luc Besson, and the more slapstick/popular genre with director Claude Zidi as an example. European and Asian films are also widely shown and appreciated. A specialty of Paris is its very large network of small movie theatres: on a given week the movie fan has the choice between around 300 old or new movies from all over the world.

Many of Paris's concert/dance halls were transformed into movie theatres when the media became popular from the 1930s. Later most of the largest cinemas were divided into multiple, smaller rooms: Paris's largest cinema today is by far le Grand Rex theatre with 2,800 seats, while other cinemas all have fewer than 1,000 seats. There is now a trend toward modern multiplexes that contain more than 10 or 20 screens.

Paris has always been a destination for traders, students and those on religious pilgrimages, but its 'tourist industry' began on a large scale only with the appearance of rail travel, namely from state organisation of France's rail network from 1848. Among Paris's first mass attractions drawing international interest were, from 1855, the above-mentioned Expositions Universelles that would bring Paris many new monuments, namely the Eiffel Tower from 1889. These, in addition to the capital's Second Empire embellishments, did much to make the city itself the attraction it is today.

Paris's museums and monuments are among its highest-esteemed attractions; tourism has motivated both the city and national governments to create new ones. The city's most prized museum, the Louvre, welcomes over 8 million visitors a year, being by far the world's most visited art museum. The city's cathedrals are another main attraction: its Notre Dame de Paris and the Basilique du Sacré-Coeur receive 12 million and eight million visitors respectively. The Eiffel Tower, by far Paris's most famous monument, averages over six million visitors per year and more than 200 millions since its construction. Disneyland Resort Paris is a major tourist attraction not only for visitors to Paris, but to Europe as well, with 14.5 million visitors in 2007.

The Louvre is one of the largest and most famous museums, housing many works of art, including the Mona Lisa (La Joconde) and the Venus de Milo statue. Works by Pablo Picasso and Auguste Rodin are found in Musée Picasso and Musée Rodin respectively, while the artistic community of Montparnasse is chronicled at the Musée du Montparnasse. Starkly apparent with its service-pipe exterior, the Centre Georges Pompidou, also known as Beaubourg, houses the Musée National d'Art Moderne. Art and artifacts from the Middle Ages and Impressionist eras are kept in Musée Cluny and Musée d'Orsay respectively, the former with the prized tapestry cycle The Lady and the Unicorn. Paris's newest (and third largest) museum, the Musée du quai Branly, opened its doors in June 2006 and houses art from Africa, Asia, Oceania and the Americas.

Many of Paris's once-popular local establishments have come to cater to the tastes and expectations of tourists, rather than local patrons. Le Lido, The Moulin Rouge cabaret-dancehall, for example, are a staged dinner theatre spectacle, a dance display that was once but one aspect of the cabaret's former atmosphere. All of the establishment's former social or cultural elements, such as its ballrooms and gardens, are gone today. Much of Paris's hotel, restaurant and night entertainment trades have become heavily dependent on tourism, with results not always positive for Parisian culture.